tag:blogger.com,1999:blog-88981346543287861962024-02-21T09:16:28.554-08:00Learn Kathak (Nupur Nritya Sangeet Academy)Learn Kathakhttp://www.blogger.com/profile/13159788794034997473noreply@blogger.comBlogger1125tag:blogger.com,1999:blog-8898134654328786196.post-72403241694641718222011-01-30T00:56:00.000-08:002011-01-30T00:56:19.812-08:00What is KATHAK?<div dir="ltr" style="text-align: left;" trbidi="on"><!--[if gte mso 9]><xml> <w:WordDocument> <w:View>Normal</w:View> <w:Zoom>0</w:Zoom> <w:TrackMoves/> <w:TrackFormatting/> <w:PunctuationKerning/> <w:ValidateAgainstSchemas/> <w:SaveIfXMLInvalid>false</w:SaveIfXMLInvalid> <w:IgnoreMixedContent>false</w:IgnoreMixedContent> <w:AlwaysShowPlaceholderText>false</w:AlwaysShowPlaceholderText> <w:DoNotPromoteQF/> <w:LidThemeOther>EN-US</w:LidThemeOther> <w:LidThemeAsian>X-NONE</w:LidThemeAsian> <w:LidThemeComplexScript>X-NONE</w:LidThemeComplexScript> <w:Compatibility> <w:BreakWrappedTables/> <w:SnapToGridInCell/> <w:WrapTextWithPunct/> <w:UseAsianBreakRules/> <w:DontGrowAutofit/> <w:SplitPgBreakAndParaMark/> <w:DontVertAlignCellWithSp/> <w:DontBreakConstrainedForcedTables/> <w:DontVertAlignInTxbx/> <w:Word11KerningPairs/> <w:CachedColBalance/> </w:Compatibility> <w:BrowserLevel>MicrosoftInternetExplorer4</w:BrowserLevel> <m:mathPr> <m:mathFont m:val="Cambria Math"/> <m:brkBin m:val="before"/> <m:brkBinSub m:val="--> <m:smallfrac m:val="off"> <m:dispdef> <m:lmargin m:val="0"> <m:rmargin m:val="0"> <m:defjc m:val="centerGroup"> <m:wrapindent m:val="1440"> <m:intlim m:val="subSup"> <m:narylim m:val="undOvr"> </m:narylim></m:intlim> </m:wrapindent><!--[endif]--><!--[if gte mso 9]><xml> <w:LatentStyles DefLockedState="false" DefUnhideWhenUsed="true"
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<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgcPm-OoC3G5qRy39Q6ebfVikA9TIcFNXvx2MJHh_ywPUG3QbGLVG-VgYA7uF9Pn3kzM-IDhEEpxZ7LYd9PEHRadm3ZtpD6DTczxQ5wqnlvZ0W9oVZ5C3MBwWUFCxFu_T3iQUe0exL0n3I/s1600/katthak.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" height="200" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgcPm-OoC3G5qRy39Q6ebfVikA9TIcFNXvx2MJHh_ywPUG3QbGLVG-VgYA7uF9Pn3kzM-IDhEEpxZ7LYd9PEHRadm3ZtpD6DTczxQ5wqnlvZ0W9oVZ5C3MBwWUFCxFu_T3iQUe0exL0n3I/s200/katthak.jpg" width="133" /></a></div><div class="MsoNormal" style="line-height: 150%; margin: 0in 0in 0.0001pt 4.5pt; text-align: justify; text-indent: 31.5pt;"><span lang="EN-GB">In its most elementary ancient context, Kathak was the lyrical form of storytelling. The tales were mostly mythological or folklores; their performances were generative and they served the dual purpose of maintaining a lively heritage and sustaining a livelihood for the storytellers. Interestingly, in its infancy, Kathak was more music and song-based and the element of dance was given secondary importance in the act. </span></div><div class="MsoNormal" style="line-height: 150%; margin: 0in 0in 0.0001pt 4.5pt; text-align: justify; text-indent: 31.5pt;"><span lang="EN-GB">Research on Kathak has tagged its evolution time around third and fourth centuries B.C. The two critical texts supporting this claim have been sighted in the archives of Kameshwar library of ancient Mithila, now in <span style="background: none repeat scroll 0% 0% yellow;">Nepal<sup>3</sup>.</span> The first text reads in ancient Prakrit text:</span></div><div class="MsoNormal" style="line-height: 150%; margin-bottom: 0.0001pt; text-align: justify;"><i><span lang="EN-GB" style="color: black;">maggasirasuddhapakkhe nakkhhate varanaseeye nayareeye uttarpuratthime diseebhage gangaye mahanadeeye tate savvo<b>kathako</b><span class="apple-converted-space"> </span>bhingarnatenam teese stuti kayam yehi raya adinaho bhavenam passayi</span></i><span class="apple-converted-space"><span lang="EN-GB" style="color: black;">. </span></span></div><div class="MsoNormal" style="line-height: 150%; margin-bottom: 0.0001pt; text-align: justify;"><span lang="EN-GB" style="color: black;">Loose translation<i>: In the month of magha, in the shukla-paksha nakshatra, to the north west of Varanasi, on the banks of the Ganges, the shringar dance of the kathaks in praise of God pleased Lord Adinatha.</i></span><span lang="EN-GB" style="color: black;"><br />
</span><span lang="EN-GB">The other text is in Sanskrit, and it reads:</span></div><div class="MsoNormal" style="line-height: 150%; margin-bottom: 0.0001pt; text-align: justify;"><i><span lang="EN-GB" style="color: black;">...anahat...nrityadharmam<span class="apple-converted-space"> </span><span>kathaka</span>cha devalokam...</span></i></div><div class="MsoNormal" style="line-height: 150%; margin-bottom: 0.0001pt; text-align: justify;"><span lang="EN-GB" style="color: black;">Loose translation<i>:...sound...and the Kathaks whose duty is dance for the divine peoples…</i></span></div><div class="MsoNormal" style="line-height: 150%; margin-bottom: 0.0001pt; text-align: justify; text-indent: 0.5in;"><span lang="EN-GB" style="color: black;">In the Mahabharata era, the element of entertainment and recreation was added to Kathak’s core functions. It was performed in the presence of Kings and their entourages during their hunting expeditions and outdoor adventures. Noted critic <span style="background: none repeat scroll 0% 0% yellow;">Shovana Naravan<sup>4</sup></span> opines, “</span><span lang="EN-GB" style="color: black;">'Here the emphasis on ‘pleasing to the eyes’ is indication of the performing aspect of the<span class="apple-converted-space"> </span><i>Kathakas</i>”. </span></div><div class="MsoNormal" style="line-height: 150%; margin-bottom: 0.0001pt; text-align: justify; text-indent: 0.5in;"><span lang="EN-GB" style="color: black;">The technical characteristics of Kathak took roots in the post-Christian era during 13<sup>th</sup> and 14<sup>th</sup> centuries. The period also coincided with the devotional movement in India which had a tremendous impact on Kathak’s emotive and technical expression. When the Bhaktiras of Ras Lila got embedded into Kathak’s ethos, technicalities like mnemonic syllables and bol were developed to accommodate the sentiment of the movement. </span></div><div class="MsoNormal" style="line-height: 150%; margin-bottom: 0.0001pt; text-align: justify; text-indent: 0.5in;"><span lang="EN-GB" style="color: black;">By the time the devotional era reached its peak, Kathak had fructified into a full-fledged, mature dance with its proprietary lyrical, musical, emotive, choreographic and technical attributes. </span></div></div>Learn Kathakhttp://www.blogger.com/profile/13159788794034997473noreply@blogger.com0